In my work for the theater, I approach directing and dramaturgy as complementary practices. Directing allows me to think in space, time, bodies, and rhythms, while dramaturgy gives me the tools to question structure, meaning, and context. I am interested in how ideas take shape on stage—not as fixed messages, but as living processes that evolve through rehearsal, dialogue, and encounter.
I use theater, images, and bodies to think in public.
My background in artistic research and my interestin postdramatic theater influence the way I create. Rather than starting from closed narratives, I often begin with questions, images, or tensions drawn from the world around me. Text, movement, sound, and visual elements are treated as equal materials. The rehearsal room becomes a laboratory where writing, directing, and performance constantly inform one another, allowing new meanings to emerge.
Nothing here is finished, resolved, or fully owned.
As a director and dramaturg, I am especially drawn to site-specific work and to rethinking the relationship between performers and audiences. Space is never neutral; it shapes perception and behavior. My goal is not to offer clear answers, but to construct situations where spectators are invited to reflect, feel, and actively participate in the creation of meaning. For me, theater is a shared act of thinking—an open space where ideas, dreams, and realities meet.