I do not begin from a fixed identity, but from displacement. My work takes place where categories start to loosen and certainty becomes porous. I come from theater, yet I never stayed in a single position: actor, director, and dramaturg are not separate roles, but shifting states of attention activated by the questions at hand. Rather than defining what I do, I am interested in observing how a practice transforms when it is kept in motion.
My biography does not move in a straight line. It folds. I grew up in Mexico, within a landscape shaped by intensity, friction, and everyday imagination. My adult life has taken form in Sweden, where silence, distance, and precision offer other ways of listening and being present. Living between these two worlds has produced a persistent sense of misalignment. Over time, I came to understand this misalignment not as a problem to solve, but as a working method: staying slightly out of place as a mode of critical perception.
I work from this in-between. Between languages, geographies, and artistic fields. Theater gave me structure and an ethics of presence; performance allowed me to stretch and destabilize that structure; visual art opened a space where image, body, and time can be thought without the need to resolve meaning. I am not interested in synthesis or stability. I am drawn to transition, drift, and the productive friction between forms.
In recent years, my practice has also been shaped by my daily experience inside the museum. Standing in exhibition spaces, observing how bodies enter, pause, hesitate, resist, or connect, has taught me that art does not happen when it is explained, but when someone encounters something they do not fully master. Mediation, understood as holding space for uncertainty, has become a central component of how I think and make work.
This page does not aim to fix an identity or close a trajectory. It functions as a moving organism: a biography written while in motion. I work to keep attention awake, to leave room for silence and for what remains unresolved. If there is a thread running through everything I do, it is this practice of staying present without full control, trusting that meaning sometimes appears precisely when we stop trying to grasp it.