In my multimedia practice, video has become a central axis through which performance and installation converge. I approach video not as documentation, but as a space of action and thought in itself—a temporal and visual field where the body, sound, and image can be composed with the same precision as a live event. This allows me to extend performance beyond the moment of presence and to construct layered experiences that unfold over time.
The Screen Performs Back
The integration of performance and installation within video enables me to work with duration, repetition, and atmosphere, creating environments rather than linear narratives. These works often exist between exhibition and performance contexts, questioning how images are perceived, inhabited, and remembered. The spectator is invited to navigate the work physically and mentally, becoming part of an expanded performative space.
The Machine Has a Point of View
More recently, artificial intelligence has entered my practice as a tool for image and video creation. I am interested in AI not as a substitute for artistic intention, but as a collaborator that introduces friction, unpredictability, and new forms of authorship. Working with AI allows me to reflect on memory, perception, and the construction of images today, opening a new line of inquiry within my ongoing exploration of body, time, and meaning across media.