This Is Not Acting Anymore 

My path as an actor and performance artist begins in theater, where I was trained to understand the body, voice, time, and presence as precise tools for meaning-making. Theater taught me discipline, listening, and the ethical dimension of being on stage in front of others. It also taught me that performance is not only about representation, but about attention: to space, to the audience, and to what happens in the present moment.

Between Is the Only Place I Trust 

From this foundation, my practice gradually expanded toward performance art and the visual arts. I became interested in situations where the narrative dissolves and the action itself becomes the work. The transition felt natural rather than radical: the same questions followed me—how a body produces meaning, how presence can transform space, and how an audience becomes part of the event. The theater gave me structure; performance allowed me to challenge and stretch it.

Presence Is the Material 

As an actor entering the art world, I carry with me a theatrical sensitivity that remains central to my work. I approach performance as a living encounter rather than an object, shaped by duration, risk, and attention. Moving between theater and art has allowed me to question both fields, using one to rethink the other, and to position the body as a critical and poetic site where experience, thought, and perception meet.